Everyone has a different opinion on what they think is the “best” way to line and support a ballet bodice:  bones or no bones, steel spirals or rigilene, coutil or a lighter weight lining. Stretch or woven top fabrics.  Much depends on the opinions of those who often do not...

I have received three emails in the past couple weeks asking questions about TUTU.COM's signature pleating method, what we call “Double-Hand-Pleating.” This pleat is what is called a “rolled pleat,” and, with a little practice, is not difficult to do. It is similar to an accordion pleat but has a...

What can be done to keep your Classical Ballet Tutus well-supported when using soft net? Lots of things! Don’t waste your time looking for the Holy Grail of tutu net. Here are some suggestions to help your classical tutus hold their shape...

QUESTION:  How do I spot-color specialty fabrics?   TUTU.COM ANSWER:  More often than not, you will find the perfect lace or specialty fabric, but it is not the perfect color. Most can be found in white or ivory and can be easily dyed or “Spot-Colored.” This is a great way to get exactly what you...

QUESTION: How do you figure out how much trim is needed to go around the outer edge of a tutu? TUTU.COM ANSWER: Of course, the easy answer is, “Just measure it.” But if that doesn’t work for you, think back to middle school algebra to find the circumference (outer edge,...

I have often heard that there is a “10-Foot Rule” in costuming, meaning that it doesn’t matter if the work is sloppy because you won’t see it on stage.  What do you think...

Claudia Folts of TUTU.COM explains the different types of hoopwire used to hoop classical and contemporary tutus and demonstrates how her costume shop hoops tutus.

There are countless ways to make a tutu.  It really depends on the type of tutu you want.  A classical tutu is the hardest type to make. It is shorter than a romantic tutu...